Things I Learned from R. B. (June 14th, 2020)

Jonathots Daily Blog

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Episode 19

It came in the mail.

I was very surprised.

I had never received anything postal from R. B., even though there were times we’d been separated for years. Not one letter or birthday card had ever come my way.

I didn’t expect it. He was a single guy, singularly focused on his own efforts.

So that’s why I was so bewildered by the arrival of this big, fat envelope. It was normal business-sized—but stuffed to the edges, nearly ready to burst its seal.

I opened it and pulled out what ended up being, after careful count, sixteen yellow legal-size pages, with R. B.’s scrawlings and notes.

At first, I could not identify what I was holding in my hands. Then I concluded that he had sent me a play, formatted in his own imagination.

It was entitled “The Reveal.”

A quick look-over told me there were three characters: Robbie, Papa and Len.

I found a quiet place, sat down and started to read. I don’t know whether I was preoccupied or tired, but I found it difficult to get through the entire piece. Finally, after two or three attempts throughout the evening, I finished it.

It was a rather simple story, about a young fellow who wanted to join the Boy Scouts. So he came to his father, who was a very austere man, and asked if it was okay. His brother, Len, came along, hoping that if Robbie was allowed to join, maybe he could be included.

The response from their Papa was very unusual. He began to pontificate about how difficult it was to be a young woodsman, and that if Robbie wanted to be a Scout, he would have to be tough.

At this point the piece took a bizarre turn. Papa asked Len, who was sitting and listening, to come over and punch Robbie in the stomach as hard as he could. Len was resistant and Robbie was startled. So when Robbie objected, his father scolded him on the dangers of disobedience—and how being a Boy Scout required him to always be prepared.

Even though Len did not want to punch Robbie in the stomach, at the father’s insistence, he did—once, twice—a total of four times. Robbie winced, buckled and finally cried out in pain, causing Papa to shake his head in disgust.

Then the patriarch asked Robbie to punch Len in the belly, but Robbie was unwilling to do it. Len seemed glad, but was concerned that if Robbie failed, there would be no Boy Scouts.

The father harangued them both, challenging their manhood in its boyhood form.

When I reached this point in the story, the writing stopped. Inserted were the words, “To be continued…”

Attached to the little play was a note:

“Jon, I know you put on plays for people. Would you help me put this one on?”

I had no idea what to think.

I was impressed that R. B. had found an envelope and managed to stuff the pages in. I didn’t want to say no. I also didn’t want to say yes—especially since R. B. had run out of money, was living on credit cards and certainly required a job.

The next morning the phone rang, and it was R. B. He wanted to know if I had received the package and what I thought about the play. I asked him what he wanted me to do with it.

R. B. matter-of-factly responded, “Produce it.”

My mind went haywire. I thought of a hundred things I needed to say to him about plays, productions, actors, theaters and advertising, but everything was so negative—and I just didn’t feel like throwing water on the only fire I had seen in him for months.

I agreed.

I agreed to do it.

I even agreed to fund it.

I told myself the only reason I would even consider being agreeable to it was that I knew it would never happen.

I did question why the play was incomplete. He said he would have the rest of it finished by the time it premiered.

I couldn’t help myself. I chuckled.

R. B. actually advertised for actors.

He held auditions. He picked two people to play the brothers, and he decided to play the papa himself.

He scheduled a table reading and brought about seven extra pages, continuing the story, though it was still not done. He made it through the table reading without directing the volunteer actors too much on what he expected them to do.

He even went out and found one of the old warehouses in Nashville which they had begun to transform into little theaters for productions just like “The Reveal.”

Matter of fact, R. B. got all the way to the fourth rehearsal. He hit two problems:

The actors had learned all he had written and needed more pages, which he was unable to supply.

But worse—the young man playing the part of Len started offering opinions on stage direction, and even some suggestions on the structure of the lines.

I was there, sitting in an advisory position (a name R. B. had come up with for my non-involvement involvement).

The conversation became heated. I wanted to interfere, but two parts of me refrained.

First was the promise I had made—to be solely an observer. And second—well, second was that I didn’t care enough to want to see the whole thing come to fruition.

But there, before my eyes, R. B. ran the gamut of his emotions.

First, he was calm.

Then he was offended.

Next, he was angry.

And at length, he was nasty.

The young man finally grew tired of spitting at the brick wall of R. B.’s resistance. He walked out. This scared the other actor, who explained that he was not accustomed to such conversational brutality.

R. B. made fun of his weakness—and in doing so, caused the young gentleman to quit.

Remaining in the room were R. B. and myself.

He looked over at me for comfort, support and a bolstering “attaboy” for standing his ground.

I found a chip in a nearby floorboard and stared at it silently, waiting for the moment to pass. After a while, R. B. rose, apologized and left.

I never heard another word about the event or the play. I never knew how it ended. The subject was just dropped.

About four months later, when I worked up the nerve to ask him about the experience, he stared at me as if he didn’t even know what I was talking about.

I did not pursue it.

For some reason, this little manuscript was written but would never be produced.

The importance of it lay deep in the soul of R. B., who apparently was still trying to overcome his father…and that punch in the gut.

 

Good News and Better News … August 1st, 2016

Jonathots Daily Blog

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Good News Enola NewsletterI always request a church newsletter–every place I go. I imagine the staff might speculate on why I want it. They might think I’m trying to confirm whether our appearance was adequately advertised, but since I’m already there, it would be fruitless to know.

The reason I read the church newsletter is that I’m trying to figure out what they’re doing and where they’re going.

It’s very important. Without a definite idea on doing and going, we can find ourselves whisked away with many a tornado of confusion.

So I read the newsletter of Enola Emmanuel United Methodist Church while I was sitting in my green room before the program.

The main article was about “branding”–passing on an easily identifiable image to the surrounding community concerning mission.

Here’s the dilemma: in branding, we too often try to chase spiritual goals, using limited human abilities. For instance, we extol the importance of prayer, witnessing, church attendance and Bible reading to human folk who spend most of their time working, eating and sleeping.

Jesus had a different idea.

He told us that the world was full of tribulation but there wasn’t anything we would be able to do about that.Good News Enola Good cheer

He also said the world would need to be overcome. He placed that chore on himself.

He gave us a human mission: “Be of good cheer.”

Yet if you share this with people, they look at you as if you’re silly or irresponsible. But good cheer is the only thing we can accomplish with energy.

It begins by understanding that church should not be a service or a worship experience, but rather, a rally. We need to teach our congregations to:

1. Be

“I will find joy, joyfully”

2. Of

“I will join with others”

3. Good

“Together we will discover what is valuable”

4. Cheer

“Linking in fellowship, we will celebrate goodness”

Removing celebration from church is like taking the breath out of lungs. It leaves us with reverence and no praise. The Gospel of Jesus was intended to be human-friendly, not ethereal.

Good News Enola penSit down, take a pen and paper and write what turns you on. Make a list of the things you find joyful, enhancing and enriching. Then go out and find a way to do those things while benefitting others.

There is an empty chair waiting in the church for the person who will dare to be real and admit that he or she is human, and not ashamed of it.

The good news is that branding is finding our way to “be of good cheer.”

The better news is that cheerful people are a great draw.

Good News Enola chair

 

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Do As: Heal … January 26, 2013

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Spirited set

6:52 P.M. last night–eight minutes until show time in Lake Worth, Florida. Above you see a shot of the stage, which I am about to enter. What do I know?

First, if you don’t mind, let’s look at what I don’t know:

  1. I don’t know if anyone will be out there, in the audience. I mean, the event has been advertised. We tried to stimulate interest with an intriguing press release. But the slightest little thing can come along and keep people from showing up to ANYTHING–even free turkey sandwiches passed out on the street.
  2. I don’t know whether these folks are going to like me or not. I am not famous, so they feel complete freedom to reject me at will. “Reject” is a little strong, but you get the idea.
  3. The best thing I possess is who I am, free of lies.
  4. And finally, I don’t know if everything is going to work. The presumption of the status of all things being tuned and ready has often left me embarrassed, with my pants down emotionally.

So what do I feel eight minutes before the show? Invigorated, excited, careful, curious and humble. And here are the two things I know:  first, I need to walk out there and do what I do as well as I possibly can, without offering lame reasons for why I am not ready. Secondly, in pursuing what I do, if I am intelligent, I will perform my duties and mission as if I were doing it for myself. Yes, I always look out at the audience, viewing a sea of faces which all resemble me. I am not about to give folks less than what I would require for myself.

That’s why it’s important that I begin the process with feel–understanding that if I am not touched by the infirmities of life, admitting that I am tempted like everybody else, I can become a first-class jerk with no heart for mankind, just spouting a bunch a rules and pretending that I’m God‘s hall monitor.

Once I have purified feeling, I am ready to worship in spirit and truth–to symbolically kneel before my gathered host, letting them know that I honor the heavens so much that I’m trying to build a branch office here on earth.

Whenever I am in front of an audience, it’s helpful to be prepared not only to think, but to learn from them. In the process, healing occurs. Sometimes the healing is in them; occasionally it’s in me. But if I insist that I am the thinker and they’re the learners, they will quickly be repelled by my approach and protect themselves from the onslaught of my domineering attitude.

I am inclined to DO AS–to deal with what is going to happen and use it to my advantage instead of recoiling in fear because some unknown factor has surprised me. Yes, I will tell you good folks a simple truth: preparing is better than planning. Yes, preparing your heart, spirit and mind to feel, kneel and heal is ten times more effective than thinking you have covered every eventuality and closed the doors of difficulty.

Right now the stage is empty. In a minute, it will be occupied by the human-flesh spaces known as Jonathan Richard Cring and Janet Clazzy. We owe it to ourselves and those we are about to meet to feel, kneel, heal and finally–deal with what is available.

Are we ready? Have we made a plan? More importantly, are we prepared to be ourselves without shame?

Deal–the process by which we arrive in life with a pure heart, a truthful spirit, a healed mind, without any hidden agenda to control but instead, are grateful just for the opportunity to be alive and breathing deeply.

The producers of jonathots would humbly request a yearly subscription donation of $10 for this wonderful, inspirational opportunity

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