Things I Learned from R. B. (July 19th, 2020)

Jonathots Daily Blog

(4468)

Episode 24

Long explanations are often an apology in disguise or unashamed huge chunks of bragging.

So suffice it to say, we founded a seventeen-piece pop symphony orchestra in Hendersonville, Tennessee, and made Janet the conductor.

Sumner County, our location, was not well-suited to such an endeavor. We didn’t care.

The God of grace extended mercy to us and the community showed up to our first several concerts, mostly out of curiosity, leaving surprised that they didn’t despise it.

All the music was original. Not a Bach piece or a Beethoven sonata anywhere to be found.

So naturally (at least in my thinking) for the fifth concert, I thought it would be fun to have two local composers offer their own interpretation of a symphonic piece that they could put together, and showcase them in an evening’s repertoire.

The two chaps I had in mind were both old friends. One was named J. T., a handsome darker-skinned brother who had worked with me in Shreveport during the days when we were trying to figure out if we were running an outreach or a vaudeville show.

And of course, the other one was R. B., who by this time had ceased to seek a job and was living off unemployment, love gifts and the cushion of credit cards.

When I presented the idea to J. T., he was thrilled and immediately launched into creating his twenty-two minutes of music.

R. B. was a different case.

Trying desperately to mask his enthusiasm, he decided to become “negotiator in chief.” He wanted to know how it would be promoted.

He wanted to know if there was a chance it would be recorded.

And mostly he wanted to know if there would be any money given to him for the composition.

I had already prepared for this eventuality, and out of my personal finance, had set aside four hundred dollars to offer him. I thought it was a good investment to awaken his soul from a slumber of sloth.

Lo and behold, he bartered for five hundred.

When I refused, he reluctantly agreed on the lesser amount, signed on the dotted line and we were off in the pursuit of the R. B. Symphony.

Rehearsals were set up, along with sessions with Janet, who was helping them organize their music into a structured form so the musicians could have parts printed out.

J. T. was a little confused, but cooperative, and stayed pretty well on the calendar we set out to achieve.

R. B. quickly discovered where the gears were—so he would know where to throw his wrench.

He was always late for the rehearsals.

He constantly complained that there wasn’t enough time to put together the music.

And he was convinced that Janet was despaired by his ability.

The material he brought was derivative and often sounded like old hymns given a gentle face-lift.

I reached the point where it was more or less a decision on my part to find the bitter end and envision myself arriving there.

We suggested that R. B. make a video, which could be played on screens during the performance of his piece. So we went out and shot great footage of him playing, laughing and cavorting around town with my granddaughter, Isabella. She was only five years old—in that glorious stage when anything still seemed fun.

The video turned out beautifully. It was touching.

Janet did a little magic on the music, inserting additional parts, and we finally reached the finish line of passable.

R. B. invited his whole family from Rhode Island to travel down and attend the production. They arrived, looking like the Pilgrims (if the rock had landed on them.) They were cold, religious, traditional and leery that R. B. had joined forces with some “hippies” who were in a non-Republican cult.

None of that mattered.

The concert was fairly well attended, the music was played and appreciated.

And for one moment, I saw R. B. in the position as a possessor—a possessor of time, a possessor of creative energy, but mostly self-possessed with worth. It was a transformative thing.

That is, until the concert was over. Finding myself alone, backstage with R. B., he told me he thought he deserved more money—because the turn-out sure looked good. I restrained my generosity.

I don’t know if I ever had another moment with R. B. quite like that night.

You will notice that I’m not critiquing his music, nor comparing it to J. T.’s, and certainly not giving anecdotes about audience reaction.

All of that is irrelevant. For the first time in a very long time, a grown man who had somewhere lost his way, got a chance to act like a little kid in a video with a five-year-old girl, and write some music that people actually got to hear.

It was heavenly.

It was the kind of thing that makes you glad you have four hundred dollars to fuckin’ throw away.

My Body is in Temple… January 19, 2014

Jonathots Daily Blog

(2125)

First Lutheran Temple

It’s been forty years since my body has been in Temple.

Temple, Texas, that is.

I have passed by this fair town several times on my journeys, but never actually plopped down for a few minutes of food for thought, by breaking bread.

Four decades ago when I landed in Temple, it was during a brief tour when I was invited to come to Waco, Texas, to Word Records, to share my music, with the aspirations of having this fledgling company record my musical ensemble and make us famous. (Well, at least as famous as one would get by being the first fruits of a fledgling.)

I remember that visitation vividly. Being raised in Central Ohio, I was told horror stories about the depravity of the South and the backwards nature of unseemly locations like Texas. So up to that point in my life I had never gone any further south than Nashville, Tennessee, or further west than Chicago.jesus rally

I don’t know what I was expecting, but it was a different time. Even though Temple was a rural community, ingrained with the traditions of its heritage, a new breeze had blown through, initiated by the winds of Spirit.

Young hippies, fresh from California, had just arrived in the region to sing a new song. So it was really amazing–you had long hairs and butch haircuts side by side, finding common ground with guitars and Jesus. They were tolerant of each other and seemed fairly oblivious to the differences that might build up over hair follicle preferences.

Many of the engineers in the recording studios were good ole’ boys, and the performers were fresh off the street, many of them ex-drug addicts who had been thrust into salvation, with a movement through Jesus.

Shoulder to shoulder, they worked on beautiful tunes, laughed, shared pictures of their families with each other, and acted like they had known one another for a lifetime.

I shared in several of the area’s religious establishments and was greeted with warmth and tenderness by folks who had just come out of the field with mud on their boots, curious about whether what they had just planted would ever reach harvest.

Even though I was a very young snap-off-the-whipper, I realized that what made this thing work was finding something in common with each other and sealing it by believing in the same message of love.

So as I come back to Temple, Texas, in a much different time–when it is considered to be righteous and upstanding to be at odds with one another over miniscule issues–I want to bring that same breeze with me.

I would love to allow the Spirit to permit commonality and faith to blend together again, to make us one.

It is a piece of idealism I permit myself without apology. For I know this: the world will never be a decent place to live until we find reasons to be alike.

And I also know that we will never find reasons to be alike …  when we work so darned tootin’ hard on trying to be different.

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Click for details on the SpirTed 2014 presentation

Click for details on the SpirTed 2014 presentation

Please contact Jonathan’s agent, Jackie Barnett, at (615) 481-1474, for information about scheduling SpiriTed in 2014.

click to hear music from Spirited 2014

click to hear music from Spirited 2014

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