Untotaled: Stepping 8–Hanging On (October 14th, 1965)… March 29, 2014

Jonathots Daily Blog  

(2189)

(Transcript)

The Fletchers were really nice folks.

They opened up their home after school for the kids to hang out and goof off. I think they did it because their son was a little bit backwards, and they tried to push him forwards with a sideways approach of encouraging kids his age to occupy his space.

The Fletchers had a piano. I played a little bit. Having mastered two years of lessons via the Thompson Book, I had enough acumen on the keyboard to pound out many a song–especially since the rock and roll of the day was usually three chords.

I had two close friends–Mike and Bob. Mike played snare drum and Bob sang (like any thirteen-year-old who lives in a town of fifteen hundred people sings.)

Mike, Bob and I had a master plan. We were interested in three girls–Renee, Dovita and Linda. We decided to invite them to the Fletcher home so that Mike could play his drum, I could play piano and Bob could sing the current radio hit–Hang On Sloopy.

The girls were adequately enticed by our invitation and joined us. I found the key of F and began to enthusiastically simulate the repetitive pattern of the hit song. Mike joined in, both sticks in hand, beating on his single snare. Bob screeched and squalled, imitating the angst of the lead singer of the McCoys, much to the glee and swooning of the young lasses.

We finished our first pass on the tune, ready to begin again, when it suddenly became obvious that all three of the young ladies were attracted to Bob, and Mike and I had been relegated to a backstage position as roadies packing up the cases.

Then I realized a very important truth:

• Mike wore glasses and was as scrawny as a scarecrow.
• I wore glasses and was plump as a pig.
• Bob was perfect and cute as a button factory.

So we played the song again, but it was obvious that Mike and I were mere backups–tools to be used for Bob’s romantic adventures.

We provided the harmony and beat. He got the chicks.

Both Mike and I learned that day why the rhythm gives you the blues. 

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The On Must Go Show … September 23, 2013

Jonathots Daily Blog

(2015)

Fuzzy Wuzzy was a bear. At least, that’s what I’ve heard.

But last night, in the middle of my show, when my electronic piano went fuzzy, it was very hard to bear. Bluntly, it’s difficult to be a workman without tools. Maybe we should not be too vulnerable to the world of miracle machines, but unfortunately, we ALL suffer under the addiction.

I made what I thought was a “quick fix” and tried to do one additional song, but my piano had figuratively stomped out of the room and called it an early evening.

What next?

The good folk who had come out so graciously to see and hear us did not need to be disappointed by my failing keyboard. Also, in my opinion, it was not necessary to involve them in the dilemma since they probably have sufficient difficulties of their own.

You see, it’s not so much that “the show must go on,” but instead, “the on must go show.”

If you’re going to call yourself a craftsman–someone who has achieved a level of expertise–it is your job to be “on.” What does that mean to me?

To be “on” is to know what and why I am doing what I’m doing. When I forget that, I become simpy, obnoxious and double-minded.

An electronic keyboard throwing a fit onstage doesn’t have anything to do with my calling. It is my duty to stay “on.”

So then I am ready to go. I love people who really understand the word “go.” It means “keep moving towards a solution.”

If you have an emotional breakdown every time you see a breakdown in your plans, you will be useless to yourself and others. It was my job to come up with a solution on the fly with regard to my temperamental eighty-eight keys. I did not look to the audience; I did not look to my stage partner, and honestly, dear friends, I didn’t look to God.

Even though I believe that He is constantly divinely inspired, I do NOT think He has hung out a shingle advertising, “Piano Repair.”

It was MY “go” and mine alone. I needed to move towards a solution. I had approximately three seconds of dead air available to achieve a positive direction. Here’s what I did: I rose from my piano and quietly moved over to the grand sitting nearby and continued my escapade. I made no explanation; I didn’t apologize. Truthfully, I didn’t even acknowledge that I had a problem, which brings me to the final point–“show.”

Here’s what I think a “show” is: don’t make your job and your life everybody else’s business.

After all, it’s only “sharing” if people are interested in what you’re saying. After that, it’s boring. It was not the privilege of that audience to be privy to my tribulation. They were there to join into a common experience of inspiration and entertainment.

I wish I could pass this on to politicians–that it’s their job to be “on,” to move forward to solution, and to understand that it’s not the fault of the American people that they’re inept.

Every preacher should realize that when he or she arrives on Sunday morning, they need to be “on” and go towards Spirit–and not show the congregation all the frailties of finance or the frayed carpet in the narthex.

It’s a part of growing up.

I don’t know if some of the people in last night’s audience even knew there was a lack. Good. For after all, they don’t need another concern, do they?

So I pass this along to you, not to lead you to believe that I’m special or a dynamic professional. What I did last night was basic–basic humanity.

The on must go show.

It’s the ability to rejoice in your burden ,,, and be grateful that you’ve been given the honor of carrying it.

The producers of jonathots would humbly request a yearly subscription donation of $10 for this wonderful, inspirational opportunity

Please contact Jonathan’s agent, Jackie Barnett, at (615) 481-1474, for information about personal appearances or scheduling an event